b. 1991 in Lecco (IT);
    based in Stockholm (SE).


    Request updated portfolio via email.

(studio visit) A process of rehearsing, the cube and random moments of destruction, studio visit with Sarie Nijboer on Akademie Schloss Solitude Blog. Feb. 2021.



Post Master OF PUBLIC INTEREST, Royal Institute of Art, Stockholm (S);  with Jonas Dahlberg and Jasmine Hinks.
Master degree in Fine Arts, Umeå Academy of Fine Arts (S); class of Swetlana Heger and Christoph Draeger.
06-08 2015  
Spacial concepts in Contemporary Art, Umeå University (S); with Katarina Burin.
Bachelor degree in Fine and Performative Arts, Venice Academy of Fine Arts (IT).



Rörelsemönster (Movement patterns)
at Mint Konsthall, Stockholm (SE). Curated by Ingrid Svahn. 2022.
It was the fire that made me into what they call marble
at Palazzo Monti and Bunkervik, Brescia (IT). 2021.

A place of fantastic flora, models and notes (work presentation) at FFKD Copenhagen (DK). 2019.
Contra el viento at Galleria C plus N Canepaneri, Milan (IT). 2017-2018.
Creating Heavens, Multiplo, Padova (IT). 2015.


Släpljus at Carl Eldh Studio Museum in Stockholm (SE).
Die Vibration der Dinge, 15th Triennale Kleinplastik Fellbach (DE).

Mörby Gård Skulpturpark at Mörby Gård, Ornö/Stockholm Archipelago (SE).


Beyond walls at Kunstmuseum Stuttgart (DE), Curated by Sebastian Schneider and Elke aus dem Moore.

En dreng, der leger hest på en skildpadde at Surdez ApS, Copenhagen (DK).

A grin without a cat, Borås international sculpture biennial (SE). Curated by Power Ekroth at Borås Konstmuseum.

Boxplay at 8.Salon, Hamburg (DE).
Lumen Residency exhibition at the Crypt Gallery, London (UK).

Ozymandias at Galleri CC, Malmö (SE) featuring works of Christian Bang Jenssen, Chiara Bugatti, Linnea Carlsson and Jan Marius Kiøsterud.

45°N09E at C plus N Canepaneri, Milano (IT).
Lumen Residency Exhibition, Chiesa di San Francesco, Atina, (IT).

Stiftelsen Anna-Lisa Thomson at Uppsala Konstmuseum, Uppsala (SE).

ADP Residency Exhibition at Belvedere EIB, Kirchberg Luxembourg (LU), featuring works of Astrid Myntekær, Johan Österholm and Cooking Sections (Daniel Fernández Pascual & Alon Schwabe).
Stipendiatutställning at the Swedish Royal Academy of Fine Arts Galleri Väst, Ateljen and Galleri Öst, Stockholm (SE).
Digging for fire at Bildmuséet (Umeå, Museum for Contemporary Art).
Digging for Fire at Gävlegatan 10B Stockholm (SE) in collaboration with NAU gallery and curated by Ioana Leca.  
Macroscopic Stillness at Galleriet Konsthögskolan, Umeå (S) featuring works of Ludvig Helin and Jakob Westberg.

The perfect lie at Scharinska Villan, Umeå (SE), 21.08.2015, curated by Katarina Burin.
The future is dark, which is the best thing the future can be, I think at Saga Teater, Umeå (SE), curated by Florian Zeyfang.
Coexistence, ArtVision (EU project), Fondazione Pino Pascali, Polignano a Mare (IT).

Coexistence, ArtVision (EU project) at Piramida, Tirana (AL); at National Art Gallery Miodrag Dado Đurić ,Cetinje (MNR); at Muzej Moderne I Suvremene Umjetnosti, Rijeka (HR); at Magazzino del Sale Venezia (IT).

Evolution at Ateneo Veneto Venice (IT), 25.11.2014, Curated by Letizia Michielon.
Tracking Point / Luci Sorgenti 7 at Palazzo Santi Cascia (IT), curated by Chiara Ciol.

97ma collettiva giovani artisti / Fondazione Bevilacqua la Masa at Galleria di Piazza San Marco, Venice (IT), curated by Stefano Coletto.

FORwART at Magazzino del Sale n.3, Venice (IT).  
OPEN 15 International Exhibition of Sculptures and Installations atVenice Lido and San Servolo Island (IT), curated by Paolo de Grandis and Carlotta Scarpa.

Grants | Residencies

The Swedish Arts Grants Committee Konstnärsnämnden (SE), project grant to Lima, PERU.
The Swedish Arts Grants Committee Konstnärsnämnden
(SE), two years working grant.
Studio Residency in Stockholm - The Swedish Arts Grants Committee.  
Stockholms Stad (SE),
studio grant 2021-2023.

Helge Ax:son Johnson Stiftelse,
research and travel grant (SE).
Akademie Schloss Solitude (DE), seven months fellowship and residency program, Stuttgart. Chosen by Catherine David. 
Fabrikken for Kunst og Design (DK), r
esidency programme at the Art and design foundation in Copenhagen.
Palazzo Monti
(IT), residency programme in Brescia.

The Swedish Arts Grants Committee Konstnärsnämnden (SE), one year working grant.
The Swedish Arts Grants Committee Konstnärsnämnden (SE), travel grant.
Malmö city and Culture Administration (SE), culture grant for artistic development.
Malmö city and Culture Administration (SE), studio grant, 2018-19.
Lumen Studios (UK)(IT), 
residency programme, Atina (IT) and London (UK), 2017-2018.
Swedish Royal Academy of Fine Arts (SE), Rudemar Grant.
The Swedish Arts Grants Committee Konstnärsnämnden (SE), assistant grant with Katarina Burin at Harvard University, Boston (USA) 2016-2017.
Anna-Lisa Thomson Stipendium Stiftelse (SE), stipend for emerging women artists.
EIB Residency programme at Abbaye de Neumunster; mentor Darren Almond, Luxembourg (LU).
Swedish Royal Academy of Fine Arts (SE), Wilhelm Smiths Grant.

Performances | Talks | Teaching | Collaborations

Visioner: i Norr X Gällivare (S), collaborative project within Of Public Interest studio (OPI). 2021/2022.
Commissioned by New European Bauhaus, ArkDes, Rådet för hållbara städer, Formas and Vinnova.

Rehearsing Brutality, until it is totally destroyed. Activation of the installation at the 15th Triennale Kleinplastik Fellbach (DE).  June 6th h. 16.00, June 22nd h. 16.00, September 27th h. 16.00.  In collaboration with Alessandro Giaquinto and performed by dancers from Das Stuttgarter Ballett.

Artist talk.
Chiara Bugatti and Danae Valenza in conversation with Joanna Nordin at Carl Eldhs ateljémuseum. August 25th h.18-19.30.

BIALIMA I Bienal Internacional de Arquitectura de Lima, Peru,
conversation partner in WORKSHOP INTERNACIONAL FUTUROS POSIBLES, workshop by Estudio Jochamowitz Rivera on the future of the Costa Verde. 2021.

Umeå Art Academy (SE),
teaching (guest) for BFA2 students; Autumn and spring term 2020-2021. (press)

Sculptural Failure, on materials and vulnerability, 
Workshop for second year Bachelor students at Umeå Art Academy (SE). Autumn 2020.

Brute Force, Performance and artist talk as part of the symposium »Paradoxes of Progress – Global Permeabilities and Transformations of Avant-Garde Thinking and Practice« organised by Akademie Schloss Solitude and Tübingen University. Performance in cooperation with Das Stuttgarter Ballett. March 2020.  

Artist Talk for FFKD in Copenhagen, April 2019.

Texts | Publications

Släpljus på Carl Eldhs Ateljémuseum
, text by Emma Warg on ( June 2022.

Historieskrivning i fint fokus på Carl Eldhs ateljémuseum
, text by Milou Allerholm on Dagens Nyheter ( June 2022.

It was the fire that made me into what they call marble
, exhibition text by Power Ekroth (ENG/ITA) ( Sept. 2021.

Il Bigio on SITE ZONES
, video release, text by Sasha Bru (Chiara Bugatti’s Brute Force, or, How to Rehearse a Monument) and interview with Power Ekroth (online April 2021.

To unearth a huaca
, studio visit and podcast in collaboration with Estudio Jochamowitz Rivera as part of IASPIS open studios 2021 (online

Il Bigio in Ab Nox, Ad Lux,
publication by Aber Press (paper).  Project in collaboration with Manuel Schwab. March 2021.

A process of rehearsing, the cube and random moments of destruction. Text by Sarie Nijboer (online Feb. 2021.

The Sensory Living: A substance of the World in Beyond Walls _Über Grenzen hinhaus, publication by Solitude Press (paper). Dec. 2020.

Five questions for, interview by Marco Roberto Marelli for Forme Uniche Magazine (online May 2019.

Boosting Young Talents, publication by EIB, European Investment Bank (paper ISBN: 978-92-861-3865-2). 2018.

A grin without a cat, catalogue Borås international sculpture biennial (paper and online 2018.

Humoristiska monument över samtiden, Borås international sculpture biennial, review by Johannes Björk for Göteborgs-Posten (paper). Maj 2018.

Borås skulpturbiennal visar spel, fiktion och verklighet, Borås international sculpture biennial, review by Frida Sandström for Dagens Nyheter. Juni 2018.

Skrattespeglar i staden, Borås international sculpture biennial, review by Patrik Haggren for Kunstkritikk. Juni 2018.

Un vento leggero, review by Marco Roberto Marelli for Forme Uniche Magazine, exhibition review (online Jan. 2018.

Contra el Viento, curatorial text by Domenico de Chirico. (online here)

Intervista con Chiara Bugatti by Elena Bordignon for ATP diary (online Dec. 2017.

Creating Heavens, Artist book, in collaboration with Multiplo, Padua - edition of 53 (paper). Maj 2015.

Adagio, curatorial text by Daniele Capra. (online Maj 2015.

FORwART, exhibition catalogue, Magazzini del Sale Venezia (paper). 2014.

Coexistence, exhibition catalogue EU project (paper). 2014.

Collections | Fairs 

ArtVerona Art Project Fair (IT) 2017
EIB European Investment Bank (LU)
Uplands Konstförening (S)
Uppsala Art Museum (S)
Private collections

Thank you:
Kremer Pigmente (DE) 2016-2020
Magnetti Building (IT) 2018

Studio: bibliotek-a, Artemisgatan 30A, Stockholm (S):